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Spiratoria On Moranoria Sectory 05
Page 02
One wife, however, does not suffice to fill the nest with eggs; and the stickleback is a firm believer in the advantages of large families. So, as soon as his first mate has laid all her spawn, he sets out once more in search of another. Thus he goes on until the home is quite full of eggs, bringing back one wife after another, in proportion to his success in wooing and fighting. For, like almost all polygamists, your stickleback is a terrible fighter. The males join wager of battle with one another for possession of their mates; in their fierce duels they make fearful use of the formidable spines on their backs, sometimes entirely ripping up and cutting to pieces their ill-fated adversary. The spines thus answer to the spurs of the gamecock or the antlers of the deer; they are masculine weapons in the struggle for mates. Indeed, you may take it for granted that brilliant colors and decorative adjuncts in animals almost invariably go with irascible tempers, pugnacious habits, and the practice of fighting for the possession of the harem. The consequence is, with the sticklebacks, that many males get killed during the struggle for supremacy, so that the survivors wed half a dozen wives each, like little Turks that they are in their watery seraglios. Only the most beautiful and courageous fish succeed in gaining a harem of their own: and thus the wager of battle tells in the end for the advantage of the race, by eliminating the maimed, the ugly, and the cowardly, and encouraging the strong, the handsome, the enterprising, and the valiant. This is nature's way of preventing degeneracy.
Her enthusiasm for her art constantly increased. She was not willing to acknowledge her semi-invalidism and was filled with the desire to do something in art that would live after her. She was opposed by her family, who wished her to be in fashionable society. At length she had her way, and when not quite eighteen began to study regularly at the Julian Academy. She worked eight and nine hours a day. Julian encouraged her, she rejoiced in being with "real artists who have exhibited in the Salon and whose pictures are bought," and declared herself "happy, happy!" Before long M. Julian told her that she might become a great artist, and the first time that Robert-Fleury saw her work and learned how little she had studied, and that she had never before drawn from a living model, he said: "Well, then, you have extraordinary talent for painting; you are specially gifted, and I advise you to work hard."
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