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Spiratoria On Moranoria Sectory 04
Page 03
In landscape the English have had something to say peculiarly their own. It has not always been well said, the coloring is often hot, the brush-work brittle, the attention to detail inconsistent with the large view of nature, yet such as it is it shows the English point of view and is valuable on that account. Richard Wilson (1713-1782) was the first landscapist of importance, though he was not so English in view as some others to follow. In fact, Wilson was nurtured on Claude Lorrain and Joseph Vernet and instead of painting the realistic English landscape he painted the pseudo-Italian landscape. He began working in portraiture under the tutorship of Wright, and achieved some success in this department; but in 1749 he went to Italy and devoted himself wholly to landscapes. These were of the classic type and somewhat conventional. The composition was usually a dark foreground with trees or buildings to right and left, an opening in the middle distance leading into the background, and a broad expanse of sunset sky. In the foreground he usually introduced a few figures for romantic or classic association. Considerable elevation of theme and spirit marks most of his pictures. There was good workmanship about the skies and the light, and an attentive study of nature was shown throughout. His canvases did not meet with much success at the time they were painted. In more modern days Wilson has been ranked as the true founder of landscape in England, and one of the most sincere of English painters.
Somewhat higher than the fish in the scale of life is the frog. Although he begins life as a fish, and in the tadpole state breathes by gills, he soon discards the water-diluted air of the pond, and with perfect lungs boldly inhales the pure air of the upper world. His life as a tadpole, although so fish-like, is much inferior to true fish life: for though the fish has not the perfect lung, he has a modification of it which he fills with air, not for breathing purposes, but as an air-sac to make him float like a bubble in the water. Will he rise to the surface? he inflates the air-bladder. Will he sink to the bottom? he compresses the air-bladder. But in the frog the air-bladder changes into the lungs, and is never the delicate balloon which floats the fish in aqueous space. When the frog's lungs are perfected, his gills close, and he forever abandons fish-life, though being a cold-blooded creature he needs comparatively little air, and delights to return to his childhood's home in the bottom of the pond. But although he can stay under water for a long time, he is obliged to hold his breath while there, and when he would breathe must come to the surface to do so. It is possible to drown him by holding him under water.
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