Spiratoria On Moranoria Sectory 03
Page 02

It is yet a much disputed point to what particular portion of the Glacial Age we can trace the appearance of man. We can profitably note the tendency of scientific thought in this direction. But a short time has elapsed since a few scholars here and there began to urge an antiquity for man extending back beyond the commonly accepted period of six thousand years. Though it is now well known and admitted that there are no good grounds for this estimate, yet such was its hold, such its sway over scientific as well as popular thought, that an appeal to this chronology was deemed sufficient answer to the discoveries of DePerthes, Schmerling, and others. It was but yesterday that this popular belief was overthrown and due weight given the discoveries of careful explorers in many branches, and the antiquity of man referred, on indisputable grounds, to a point of time at least as far back as the close of the preceding geological age.

A piece of music, again, without any words at all, or a song with words that have nothing in the world to do with the ideas which it is nevertheless made to convey, is often very effectual language. Much lying, and all irony depends on tampering with covenanted symbols, and making those that are usually associated with one set of ideas convey by a sleight of mind others of a different nature. That is why irony is intolerably fatiguing unless very sparingly used. Take the song which Blondel sang under the window of King Richard's prison. There was not one syllable in it to say that Blondel was there, and was going to help the king to get out of prison. It was about some silly love affair, but it was a letter all the same, and the king made language of what would otherwise have been no language, by guessing the meaning, that is to say by perceiving that he was expected to enter then and there into a new covenant as to the meaning of the symbols that were presented to him, understanding what this covenant was to be, and acquiescing in it.

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